Chromaline AccuInk Ink Cartridges for Epson 3270 / 5270 / 7270 – High Density Black Ink for Film Positives
Chromaline
Chromaline AccuInk cartridges for the Epson SureColor T3270, T5270, and T7270 bring UV-blocking, high-density film positive output to these professional wide-format printers — spanning 24, 36, and 44 inches. Replace all ink channels with AccuInk for all-black maximum-opacity film positives from your large-format SureColor.
Price range: $257.50 through $923.10
Description
Chromaline AccuInk for the Epson SureColor T3270 / T5270 / T7270
The Epson SureColor T3270, T5270, and T7270 are wide-format workhorses — 24, 36, and 44 inches of professional inkjet output that screen printers have been using for film positives for years. Chromaline AccuInk replaces OEM inks with a UV-blocking dye formula engineered specifically for film positive production. But how you configure the ink system matters — and there are two distinct approaches. Here’s everything you need to know to choose the right setup for your shop.
Two Ink Configuration Options — Which Is Right for You?
When setting up the T3270/T5270/T7270 for screen printing film positives, screen printers use one of two ink configurations. Both work — but they have meaningfully different strengths, costs, and ideal use cases. Understanding the difference will save you money and headaches.
🔲 Why CADlink FilmMaker RIP Makes Both Systems Work Better
Regardless of which ink configuration you choose, CADlink FilmMaker RIP v10 is the software that unlocks the full potential of your T-series for screen printing film positives. Here’s specifically what it does:
Compatible Printer Models
| Printer Model | Max Print Width | Recommended Config |
|---|---|---|
| Epson SureColor T3270 | 24 in | All Black or Photo Black + Clear |
| Epson SureColor T5270 | 36 in | All Black or Photo Black + Clear |
| Epson SureColor T7270 | 44 in | All Black or Photo Black + Clear |
Technical Specifications
Technical Specifications
| Specification | Detail |
|---|---|
| SKU | Chromaline T3270/5270/7270 Ink |
| Brand | Chromaline |
| Compatible Printers | Epson SureColor T3270 (24in), Epson SureColor T5270 (36in), Epson SureColor T7270 (44in) |
| Ink Type | Dye / Water-Based with UV Blocker |
| Configuration Option A | All Black System — AccuInk black in every channel for maximum density |
| Configuration Option B | Photo Black AccuInk in black slot + clear flushing solution in color slots |
| Best Use — All Black | Halftone work, process printing, high mesh counts (180–355 mesh), maximum density required |
| Best Use — Photo Black + Clear | Spot color work, lower-volume shops, standard mesh counts, shops needing occasional color flexibility |
| Max Print Width | 24 in (T3270) · 36 in (T5270) · 44 in (T7270) |
| Film Compatibility | Chromaline AccuJet Waterproof Inkjet Film — rolls available in 24in, 36in, and 44in widths |
| Recommended RIP Software | CADlink FilmMaker RIP v10 — required for max density, halftone screening, and channel assignment |
| RIP Halftone Control | AM halftone screening — dot shape, frequency (lpi), and angle control not available through standard Epson driver |
| Made In | USA |
| Chip Resetter Required | Yes — required when placing AccuInk in color slots (All Black System) |
Technical Sheets / Safety Data Sheets / Documents
FREQUENTLY ASKED QUESTIONS
Frequently Asked Questions
All Black System: Every cartridge slot is replaced with AccuInk black. When driven through CADlink FilmMaker RIP, every print head fires simultaneously for maximum ink density — best for halftone work and exposing high-mesh screens.
Photo Black + Clear: AccuInk Photo Black goes in the designated black slot only. Clear flushing solution fills the remaining color slots to keep those heads lubricated without putting ink on the film. Lower ongoing cost, easier on the printer, but lower maximum density than All Black.
CADlink FilmMaker RIP v10 does three things the standard Epson driver cannot:
1. Ink density maximization: Bypasses the Epson driver’s ink cap and pushes every active channel to maximum output for UV-blocking density.
2. True AM halftone screening: Outputs hard-edged halftone dots at your chosen lpi and angle — not photographic dithering. This is the difference between a positive that exposes a clean stencil and one that doesn’t.
3. Channel assignment and linearization: Routes output through all channels (All Black) or Photo Black only, with linearization curves for consistent density from highlight to shadow.
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